Members from several TV unions came together on April 15 to register their protest against the trend by popular TV channels to telecast dubbed Hindi and Korean serials.
Director Raghava Lawrence's Kanchana 2 is an enjoyable horror comedy about six ghosts who are out to avenge their deaths.
"Start small, chill out, work through your ideas. And then make them happen," is 22-year-old entrepreneur Zeba Abdur Rehman's success mantra. Zeba, whose desire for a little extra pocket money led her to start her own handcrafting company, Paper to BagI, tells Rediff.com how it all started and the two years of growing, learning and maturing as a businesswoman.
Director Mani Ratnam's O Kadhal Kanmani is a beautiful and sensitive tale of love filled with fun that warms your heart.
Debutant director Bramma G shares his excitement of winning the National Award for the Best Tamil film for Kuttram Kadithal.
Director Surendran's Sagaptham is a slow paced, tiresome action drama.
Director M Muthaiah's Komban is an over-the-top rural-based film with too much violence
Ten-year-old Uthara's beautiful rendition of the song Azhagu has won her a National Award.
33-year-old Vivek Harshan bagged the National Award for Best Editor for Jigarthanda.
Director M Manikandan talks about his National Award-winning Tamil film Kaakka Muttai.
Music composer M Ghibran talks about his experience of working with Kamal Haasan on Uttama Villain.
Mahabalipuram is an attempt to shed some light on the plight of young innocent girls who are drugged, raped and filmed to cater to the thriving porn industry.
Though Katham Katham moves at a brisk pace, it is predictable and long, writes S Saraswathi.
Bench Talkies is a very ordinary collection of short films, says S Saraswathi.
Enakkul Oruvan is an engaging and admirable effort by debutant director Prasath Ramar, says S Saraswathi.
Choose from the eight releases this week.
A decently paced, well scripted film with plenty of humour and great music makes Sivakarthikeyan's Kaaki Sattai worth a watch, writes S Saraswathi.
Despite the intriguing plot, Tamiluku En Ondrai Aluthavum has none of the edge-of-your-seat moments that would have made it exciting, writes S Saraswathi.
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